The rotational lightcurve now is sufficiently well-characterized that it is no longer necessary to obtain data over a complete rotation to monitor the so-called 'outburst' behavior of the object. We believe this structure to be evidence that Chiron is more aspherical (faceted?) than the small-amplitude lightcurve otherwise implies. These features repeat within the night and also may be discerned in light curves dating back to 1986 (S. The light curve shows reproducible structure of relatively high-frequency (∼15-min time scale), formerly attributed to noise. The amplitude was lower (0.04 mag), the mean brightness level was higher than recent trends would predict (mean HR = 5.65), and the mean remained constant over 1 1 2 rotations to within better than 0.005 mag. 100, 913-932), it differed in three important respects.

A complete light curve was obtained over 10 hr on 1991 January 08. Nonetheless, there was some evidence for cometary activity even then the bare nucleus may be fainter still. A partial light curve was obtained in 1985 January, when the object was intrinsically fainter (Hv = 6.84) than it has ever been seen before or since. We report CCD photometry of 2060 Chiron from two apparitions. Additionally, it will discuss the problems of literary appropriations and influence. This study will explore the responses given to Schulz's stories by Foer and Bolaño and examine the mechanisms governing their creative work. In this process, they become what Bruno Schulz calls 'demiurges'. In this paper it will be argued that both authors tend to follow in Pierre Menard's footsteps (in spite of his being a fictional character invented by Jorge Luis Borges), combining the roles of readers and writers in order to reinvent or reinterpret the works of their predecessors. However, following the tracks of Schulz's oeuvre in their novels allows one to analyze Foer and Bolaño contrariwise: as inspired readers. Both Jonathan Safran Foer, a popular American author, and Roberto Bolaño, a critically acclaimed Chilean novelist, seem to approach the work of Bruno Schulz, a Polish-Jewish writer, with what Rorty calls (in 'The Pragmatist's Prog-ress') 'methodical reading'. According to Richard Rorty, readers can either use a text knowing what they want to get out of it in advance, or with the hope that it will enable them to want something different, change their life.

Tree of codes by jonathan safran foer